Ariel Powers-Schaub stops by to talk all about her new book, MILLENNIAL NASTIES: ANALYZING A DECADE OF BRUTAL HORROR FILM VIOLENCE.

One stoner who defied traditional horror tropes and beautifully created his own strain of stoner: Marty Mikalski in THE CABIN IN THE WOODS.

Mansell’s iconic collab with the Kronos Quartet is one of the most emotionally haunting and tragically beautiful scores of the modern era.

In this interview with Erik Porn, we talk all about his work on THE WRETCHED, creating its unique creature, and The Pierce Brothers.

GREMLINS 2 is completely bonkers, absolutely absurd and all the more brilliant because of it.

Zuckerman chats all about LUCKY, scoring for SCREAM and that one time he worked with David Lee Roth.

The score for THE SHINING remains a prime example of the sheer power behind a well-executed vision.

Rachel Reeves speaks with SWALLOW production designer Erin Magill to discuss the film's striking and unique physical space and design.

The first of several collabs between Bava and Cipriani, A BAY OF BLOOD, beautifully highlights Cipriani's incredible talent and versatility.

While the film successfully navigates many sub-genre tropes, the true beauty of THE CHANGELING comes in the ways it deviates from the expect

Devon Sawa's character, Anton, is so bored with his life that he can barely be bothered to participate in it. And it's perfect.

Malatynska discusses the show’s visual style, unique challenges, and what advice she’d give a young filmmaker with limited means.

Justin’s new-wave dusted intergalactic expedition through sound is a must-own piece for sci-fi score enthusiasts.

Simon Boswell discusses his new album, working with visionary directors, adapting to changes in technology, and so much more.

Krlic’s score for MIDSOMMAR is an example of what can happen when a composer perfectly pushes against conventional scoring expectations.

Composer Andrew Lockington discusses Sheridan’s devoted approach to music, the power of silence, and coaxing music from a prison.

Early challenges our societal attraction to dark and violent material while simultaneously providing one hell of a cinematic ride. 

These are a few of my favorite horror films from 2023.

Let’s talk about some of the many ways creative individuals have translated the wonders of outer space into sonic realities.

Composer Geoff Zanelli discusses scoring THE INTRUDER, working with Hans Zimmer, and so much more.