The score for THE SHINING remains a prime example of the sheer power behind a well-executed vision.

Rachel Reeves speaks with SWALLOW production designer Erin Magill to discuss the film's striking and unique physical space and design.

The first of several collabs between Bava and Cipriani, A BAY OF BLOOD, beautifully highlights Cipriani's incredible talent and versatility.

While the film successfully navigates many sub-genre tropes, the true beauty of THE CHANGELING comes in the ways it deviates from the expect

Devon Sawa's character, Anton, is so bored with his life that he can barely be bothered to participate in it. And it's perfect.

Malatynska discusses the show’s visual style, unique challenges, and what advice she’d give a young filmmaker with limited means.

Justin’s new-wave dusted intergalactic expedition through sound is a must-own piece for sci-fi score enthusiasts.

Simon Boswell discusses his new album, working with visionary directors, adapting to changes in technology, and so much more.

Krlic’s score for MIDSOMMAR is an example of what can happen when a composer perfectly pushes against conventional scoring expectations.

Composer Andrew Lockington discusses Sheridan’s devoted approach to music, the power of silence, and coaxing music from a prison.

Early challenges our societal attraction to dark and violent material while simultaneously providing one hell of a cinematic ride. 

These are a few of my favorite horror films from 2023.

Let’s talk about some of the many ways creative individuals have translated the wonders of outer space into sonic realities.

Composer Geoff Zanelli discusses scoring THE INTRUDER, working with Hans Zimmer, and so much more.

SORCERER may not be Friedkin's most famous film, but it's one of Stephen King's favorites. Its score is also a Tangerine Dream classic.

Grindhouse Releasing's new CANNIBAL FEROX record release is too bizarre to resist.